It's no secret that I have a bit of a hand-dyed yarn habit. I am drawn to rich and deep colours and unusual combinations but to control myself I try to focus on choosing yarns where I can see an outcome for the skein.
For a while now I have been admiring, and occasionally buying. the work of Helen Reed of The Wool Kitchen. I like the yarn bases she uses and her strong colourful dyeing style.
I particularly like skeins such as these in the Cosmic Girl colourway with a saturated main colour with flashes of contrast. And for a while I had been contemplating a "radial shawl" using this or a similar colourway. A radial shawl is a style I have adapted for myself with wedges of short row shaping and a wide lace edge section creating a semicircle. They work with yarns with long colour changes and I thought that the short runs of contrast colours in these skeins would also create an interesting effect.
Then Christine Boggis, the editor of The Knitter, told me she was planning an issue based on hand-dyed yarns. I immediately started a list of my favourite dyers and pulling out notes about ideas I'd had for different yarns. Top of the list was a shawl in Helen's yarn.
While I was pulling my ideas together, Christine was in touch again to ask if I knew of The Wool Kitchen and would I be interested in working with Helen.
Don't you just love it when a plan comes together?
It was delightful to work with Helen to get her advice on what colourways work in what bases and then to come up with the Electric Storm shawl complete with lightening flashes of neon on a deep blue ground. This is a shawl that brought me a lot of pleasure to create and I think it really shows off Helen's colour sense and her dyeing style. And I'm really looking forward to seeing other people's versions.
This is unlikely to be the last time I work with Helen's yarns. I have some more sitting here and why writing this post I had to pop over to her Etsy shop which means I have been tempted by some new colourways.