It is always exciting when I can finally share a design. For magazines I work so far ahead that I can have finished something for a few months before I can show it off. But then you get wonderful images like this in the magazines.
The brief was Bitish yarns and British literature, and so I came up with a shawl using Victorian stitch patterns that could have graced any of Thomas Hardy's female protagonists from Tess to Bathsheba.
It uses a yarn from pretty much Hardy country, Devonia from John Arbon Textiles in the Bleeding Heart colourway (also perfect for the theme) - this is the 4-ply version of this recently launched yarn (there is a DK as well) and as with all the Arbon yarns I really enjoyed working with this soft blend of Exmoor Bluefaced, Bluefaced Leciester and Wensleydale wools.
The shawl is made of three triangular panels with a knit on edge and is one of those lace patterns that looks more complex than it really is to knit. The main body has a short lace repeat and once you get started with the edging it flows along.
The shape is easy to wear and drape.
As a knitting designer, tech editor, writer, pattern writer, teacher and all round knitting nerd, I have an ever growing collection of reference books from the iconic The Principles Of Knitting by June Hemmon Hyatt and a 1960s Odhams Knitting Encylopaedia (a lucky charity shop find), to a well over a dozen stitch dictionaries. There are books on pattern writing and garment construction, books on fibres and yarn production, books on different styles of socks, on hat shaping, etc, etc.
I love learning about my craft and I use these books regularly: to find the best techniques; looking to see if an idea you have, already has an established technique; refreshing my memory about something; or just getting a new perspective or some inspiration,
So I was delighted to be asked if I wanted to review Vogue Knitting: The Ultimate Knitting Book – a perfect book for me to write about both here and on the UK Hand Knitting blog which I regularly write.
This is an impressive and comprehensive tome with more than 350 pages of information and 1,600 photographs and illustrations. I have pictured it here with me to give an idea of scale – warning, it weights a lot.
This is an update of Vogue Knitting’s original encyclopaedia published in 1989. Given the changes in knitting fashions, the developments in yarn, needles and techniques that we have seen in recent years, the company decided it was time for a full revision and have added 70 pages to the original.
I did occasionally find the US terminology can be a bit distracting – I always do – but it didn’t stop this being an incredibly useful resource for any knitter who wants to check a technique, understand more about yarn or see how a sock, sweater of shawl is constructed.
There are chapters explaining about types of yarns and needles and caring for your knits, through basic techniques to more complex knitting types and details of how many knitted items are constructed and even a guide to basic designing.
All the techniques sections have clear, easy to understand pictures and illustrations. I did find one or two technical sections (especially in colourwork) that might have benefited from a bit more explanation but these are in the minority.
And I will never be stuck for a cast on or cast off ever again. There are instructions for dozens of each included. I do know a cast off that isn’t included but have only done about half the cast ons.
I will certainly find this book useful but I can’t describe it as my ultimate knitting resource because I am sure to find yet more reference books in the future. That said I plan to master all the cast ons that were new to be in the coming months.
However I think this is a book that has a wider audience than obsessive, professional knitting geeks like me. If you just want to have one knitting reference book to help you with new techniques, to inspire, challenge and support you with your yarn craft, this is an excellent choice. And you could join me in my cast on challenge.
Plus if you have had an idea for your own knitting design for a sweater, hat or socks there is a section to guide you through the basics of making this a reality step by step.
This is definitely a reference book for all types of keen knitter – as well as offering a mini bicep work out.
One interesting aspect of knitting is that looking at something sideways can give you a new way to create something.
This is the case with the Wayward Paths scarf – a flat fringed scarf that is actually knitted in the round and cut – yes cut.
This means the width of the stitch pattern repeats down the long side of the scarf – that is the rows go right along the scarf. This means you can use stitch patterns in a different way.
I was intrigued by the method but am more of a texture and lace person so started wondering how else it could be used. I happened to have received two sample balls of Debbie Bliss Iris, a chunky wool/cashmere roving yarn, that were crying out to be a soft, comforting scarf. So I decided to experiment.
I chose a garter stitch chevron pattern and worked a section of stocking stitch at the beginning and end of each round. Then I worked until I had used much of my yarn. When I cast off I had a basic cowl with a zigzag lace pattern round the majority of the loop with a shorter section of plain stocking stitch stripes.
The stocking stitch section or “steek” is where the fringes come from. All you do is cut straight up the centre of the steek and unravel the stocking stitch section to create the fringe.
You can see from this picture that when you pin out a piece of stocking stitch there are “ladders” between the column of stitches and in the case of the Wayward Path scarf you cut up the centre ladder of the steek section (here I have used an unneeded swatch).
Once the stitches are cut, unravelling makes a lovely fringe – your knitting won’t unravel but I knot the strands in pairs to feel secure.
I am involved with UK Hand Knitting which this year is encouraging people to share knitting and crochet skills. Because of this, at the moment the Wayward Path pattern is free because a steek fringe using chunky yarn is a fairly non-threatening way to take scissors to your knitting for the first time.
The pattern contains some suggestions for other yarns but any nice chunky will work – so why not step off your regular end to end scarf path and give it a go.
In my post about neat shoulders I mentioned using short rows shape shoulders and joining the seam using a three needle cast off.
When you shape shoulders using short rows you end up with a set of stitches on a holder rather than cast off stitches. You can join them using the steps below.
2. Hold the pieces you want to join with right sides together. You want
the two sets of stitches to line up on the parallel needles.
3. Insert your needle into a stitch from each needle. Using a third needle
of the correct size, insert the tip into the first first stitch on the front needle
and then the first stitch on the back needle.
5. Repeat steps 3 and 4 and cast off one stitch. Work the next two front
and back stitches together in the same way and then pass the back stitch
on the right hand needle over the front one as you would in a normal cast
off. Continue to cast off the pairs of stitches all along your seam.
(Here you can see the row of green cast off stitches along the seam line.)
Here you can see the final result in the Lily sweater.