Some goodies came in the post and my brain is full of new shawl ideas - just need to finish 4 or 5 other things.
I bought these two skeins via the Virtual Wool Monty last weekend - despite not having a show to teach at I couldn't help some shopping.
I've been playing with some ideas about mixing more solid and variegated yarns together and these two skeins from RiverKnits really hit the spot.
When I went for my walk in the woods I started thinking about the red tile roofs and brick chimneys of various buildings that peep through the trees, so another woodland inspired shawl may be on the way.
If you fancy knitting a shawl today, check out my Ravelry shop - there is 10% off all shawl pattern until 25 June 2020 with code GOWIB.
Footnote: Chatting to Becci from River Knits online I have learned that the red brick along the canals was the inspiration for one of these colourways. Great minds and all that....
Off Kilter is a free shawlette pattern that I recently added to Ravelry.
It is written for 100g/400m of striping 4ply - the sort of thing many people will have picked up at a yarn show and have to hand in their stash during lockdown. Although I don't have picture - the shawl is on lockdown with someone else - it is a great option if you have some Zauberball Crazy.
After I put the pattern up, I was sorting my stash and noticed that I had a cake of Stylecraft Batik Swirl DK in the Coral Reef colourway and decided on an experiment - doing a version of Off Kilter in DK.
The Batik Swirl cake is 200g/550m and I used a 4mm needle. Otherwise I did the pattern as written using most of the cake.
The shawl ended up with a wingspan of 164cm and is 60cm deep at the widest point compared with 140cm and 50cm for the 4-ply version.
But if you have something in your stash that you'd like to try this pattern in that doesn't fit these quantities, don't worry, this is a very easy pattern to adapt.
- If you have at least 100g of 4ply or 150g of DK you will come up with a wearable shawl - maybe try 200g of aran or experiment with chunky.
- If you are using a thicker yarn, choose a needle size that will give your stocking stitch a little drape.
- Work the pattern repeat until you have around enough yarn for one more repeat - you may need to weigh your remain yarn at the beginning and end of a repeat near the end to estimate this. Finish the body of the shawl after row 10 of the repeat.
- The edging will work for any size as long as you have finished the body with a complete repeat.
The only other instruction is to enjoy going Off Kilter and to post pictures of your finished object by creating a project on the pattern's Ravelry page or if you are on Instagram tag me in your post @bromiskelly_lapurplepenguin
It is very lovely to be one of the designers interviewed for the 200th edition of Knitting magazine
Especially as winning a garment design competition in the magazine a few years ago was one of the big spurs to my design career. The magazine mentions a collection of shawls I was planning to get online. I had hoped to have these up my the end of October but as often the case for freelance creatives, life has intervened and I have been prioritising the work that guarantees payment rather than the ones where I hope I will get sales on Ravelry etc.
However, the Beautifully Blocked collection which makes a selection of my favourite shawls designs for magazines available as individual downloadable patterns for the first time will be ready very soon. I will reveal the 8 choosen patterns over the weekend.
I also plan to write about what how the designer aspects of my life work on a day to day basis as soon as I free up some time.
I have recently had my first experience of one of my designs being used in a knit-a-long.
Having been involved, I would recommend the experience to other designers.
It came about through chats about shawls and shawl patterns with Sara Geraghty of Black Sheep Wools. She had an idea for a Betwixtmas knit-a-long that would start after Christmas days and give people a project for the period between then and the New Year.
She asked me to come up with a shawl that wouldn’t be too complicated for that hazy, lazy part of the year and be something that a first time shawl knitter could tackle, but which would still offer a little bit of a challenge.
With a shawl design, finding the right yarn can be crucial. In this case, it needed to both be right for the shawl and something that would suit Black Sheep’s retail offering.
We settled on Fyberspates Vivacious 4-ply a 100% merino yarn that comes in a range of delicious semi-solid shades. It is perfect for shawl knitting because it blocks well and has a lovely drape.
I swatched and sketched and we finalised on this design for the shawl.
A classic centre out triangle that is about three quarters stocking stitch with a diamond lace edging. This means knitters can get used to the shaping (and in the case of the KAL, recover from Christmas) before tackling the lace pattern.
With the pattern and samples done, my role was to sit back, enjoy the launch and wait for the knitting to start.
The launch was a big hit with 1000s of copies of the pattern being downloaded for free from Black Sheep and many people falling in love with our yarn choice.
And then people started to cast on and share their experiences to the Black Sheep make-a-long Facebook group.
As a designer and pattern writer it was interesting to see the parts that knitters found harder and as a teacher it was enjoyable to offer advice and help to get the through those problems. It will make me think about the notes and support I can provide for future patterns.
But the most pleasure came from seeing pictures of people’s progress and then the finished shawls. And there have been so many, I have lost track a little. Especially when some people cast on their third versions.
Here are just a small selection.
Thanks to Sandy Brown, Alison Locke, Anita Pearson, Chris Clark, Roberta Couchman, Carole Rigby, Sarah Aston, Rita Lee, Hilary Shepherd, Alison Neave, Loraine Walker, Jane Holt, and Marion Beet.
And yes I am now mulling over future knit-a-longs.
2018 was a very busy year for me in many ways but one of them was as a knitwear designer.
How busy didn’t really strike me until I started looking back at the patterns published last year with a view to consider which magazine patterns I might relaunch on my own sites in due course. I doubled by design output last year and worked with four big magazines, Knitting, The Knitter, Simply Knitting and Knit Now.
It was also the year when I was able to walk into WH Smith and see three of my designs in a row on the covers of three of these magazines.
I am always very chuffed when my work makes the cover of anything so this was rather overwhelming. I wrote something about this at the time.
So when I started looking back though the 2018 designs I thought I would pull them together in a series of collages.
Sweaters, cardigans and a dress
These were all created to a design brief for a particular magazine issue with a theme. Sometimes a theme just shouts at me and garment sketches flow from my pencil at speed. other times it is more difficult. But looking at these I think my interest in construction, shaping and stitch patterns come through. The one thing I tend not to do is plain stocking stitch in one colour. That doesn't mean difficult knits - but it does mean there will be something to keep your interest and add a little variety.
Shawls, wraps and scarves
These allow me to let loose with lace, cables and texture as well as providing the opportunity to play with construction as with the two signature "radial" semi-circular shawls and the green wraps in rows and three which are worked on the bias from corner to corner.
I also love the drama you can create with colour and large pieces of lace, so even when people tell me shawls are less popular, I won't be walking away from them.
For most of my knitting life (well, my life, there isn't much of a time difference) I didn't knit socks and had no interest in them. Then I set myself a new year challenge of doing something new and made a pair. Definitely a life changing moment, as five years on I regularly design and make them. I have taught sock knitting and as I type am thinking of getting a pair out of the drawer because by toes are cold in a high street pair.
My preference I will go for a cuff down sock with a heel flap. But I will do a short row heel or and after-thought one (as in the colourwork socks) if the design would work better.
So what will 2019 bring? This January I have already finished four samples and have the yarn for several more to hand. I am planning a number of pattern relaunches and have a special big project in the works. I am also going to try to post more and revive this blog.
It's no secret that I have a bit of a hand-dyed yarn habit. I am drawn to rich and deep colours and unusual combinations but to control myself I try to focus on choosing yarns where I can see an outcome for the skein.
For a while now I have been admiring, and occasionally buying. the work of Helen Reed of The Wool Kitchen. I like the yarn bases she uses and her strong colourful dyeing style.
I particularly like skeins such as these in the Cosmic Girl colourway with a saturated main colour with flashes of contrast. And for a while I had been contemplating a "radial shawl" using this or a similar colourway. A radial shawl is a style I have adapted for myself with wedges of short row shaping and a wide lace edge section creating a semicircle. They work with yarns with long colour changes and I thought that the short runs of contrast colours in these skeins would also create an interesting effect.
Then Christine Boggis, the editor of The Knitter, told me she was planning an issue based on hand-dyed yarns. I immediately started a list of my favourite dyers and pulling out notes about ideas I'd had for different yarns. Top of the list was a shawl in Helen's yarn.
While I was pulling my ideas together, Christine was in touch again to ask if I knew of The Wool Kitchen and would I be interested in working with Helen.
Don't you just love it when a plan comes together?
It was delightful to work with Helen to get her advice on what colourways work in what bases and then to come up with the Electric Storm shawl complete with lightening flashes of neon on a deep blue ground. This is a shawl that brought me a lot of pleasure to create and I think it really shows off Helen's colour sense and her dyeing style. And I'm really looking forward to seeing other people's versions.
This is unlikely to be the last time I work with Helen's yarns. I have some more sitting here and why writing this post I had to pop over to her Etsy shop which means I have been tempted by some new colourways.
It is always exciting when I can finally share a design. For magazines I work so far ahead that I can have finished something for a few months before I can show it off. But then you get wonderful images like this in the magazines.
The brief was Bitish yarns and British literature, and so I came up with a shawl using Victorian stitch patterns that could have graced any of Thomas Hardy's female protagonists from Tess to Bathsheba.
It uses a yarn from pretty much Hardy country, Devonia from John Arbon Textiles in the Bleeding Heart colourway (also perfect for the theme) - this is the 4-ply version of this recently launched yarn (there is a DK as well) and as with all the Arbon yarns I really enjoyed working with this soft blend of Exmoor Bluefaced, Bluefaced Leciester and Wensleydale wools.
The shawl is made of three triangular panels with a knit on edge and is one of those lace patterns that looks more complex than it really is to knit. The main body has a short lace repeat and once you get started with the edging it flows along.
The shape is easy to wear and drape.
When I posted a few pictures of my Facet shawl from Knitting issue 173 (from GMC publications), there were a few people who said "lovely but I could never make something like that".
This seems to be a common response to shawl patterns - there is a fear that it going to be incredibly complicated and take a very long time plus you will have to learn fiendishly evil new stitches. In fact there is nothing more complicated in Facet than a yarnover next to a decrease and once you are a few rows in the pattern repeat becomes clear.
The rest of the beauty comes from the choice of yarn - this is West Yorkshire Spinners Exquisite Lace in Belgravia - and the blocking (subject of an upcoming post).
The same statement about a shawl pattern being about yarn overs and decreases can also be said about these shawls.
One cause of shawl fear is using fine yarns and another is the lace or fancy stitches being all over making it a slow knit. But shawls can be a fun knit in thicker yarns and they don't have to be lace all over.
The idea behind the next two selections of shawls (all Stylecraft patterns) was shawl patterns that people might choose as a first foray into patterns like this but which include the same shaping and stitches as you might find in really fine ones.
These patterns would introduce you to the fun of shawl knitting across a variety of shapes and styles in what might be regarded as fairly standard yarns (mainly DK) and making use of the yarns' qualities.
Shawl knitting is no different from any other category of knitting. Pick a pattern and a yarn you like, and just take it one stitch (or yarn over) at a time and enjoy yourself. Once you take the plunge, you will create something lovely.
A call for pattern designs using British yarns recently gave me the opportunity to work in a yarn I had been admiring for a while - Shetland Supreme Lace Weight 2ply from Jamieson & Smith.
I was interested in working with the natural colours and fine sheepiness of this pure wool lace yarn that comes in 25g balls, as well as 500g cones if you are planning a couple of large shawls.
This is one of those magical laceweights that looks rather unexciting as you work (especially as I had chosen the natural grey) but once blocked turns into a delicate, wisp of a fabric with a beautiful sheen. In the case of the Summer Stole, I guarantee it also lives up the the legendary idea of your shawl passing through a wedding ring.
I chose to create a stole for Knitting magazine (issue 170) because I find this one of the most versatile shapes to take a lace knit through the year. As a summer pattern, the Shetland Summer Stole is perfect for creating glamorous cover up in an evening chill or over a dress at a wedding or summer party. In autumn it can be draped over a smart outfit to add an extra layer. And a lace stole can even be wrapped round your neck a couple of times with a winter coat to keep out the cold in January.
The lace motifs come from tradition Shetland patterns, although I have adapted them a little and the stole is less traditional using a stocking stitch ground rather than garter stitch in this case.
It is made in two sections which are grafted together to give the pattern symmetry. If you drape the shawl round your shoulders, the pattern will fall the same way on each of the falling ends.
This shawl is described as an advanced knit but don't be afraid of having a go. The pattern repeat in the main body is actually very straight forward and while the end sections are more complicated, they are only a small proportion of the knitting.
And if it helps I am planning a few how to posts over the summer around lace knitting.
The new issue of Knitting magazine is out and it includes my Spring Leaf cardigan. A simple draping cardigan for over a light top or dress.
It has a bolero shape with a curved hem line and the leaf edging is knitted on so the leaves grow up the front symmetrically. The leaf pattern is based on a Victorian edging from the Knitting and Crochet Guild archive.
It is one of those knits that is much easier than it might a appear at first glance at the pattern.
The yarn is Lotus Yarns Tibetan Cloud Worsted - my first time using 100% Yak - which is lovely and soft and very rich colourwise with the right drape for this project.