Yarn

New Pattern: Hemingford lace sleeve sweater

Have you noticed that I like detail? I don't tend to make plain items but that doesn't mean all over pattern.

The Hemingford sweater has a plain stocking stitch body with loose lacy sleeves which add a little glamour.

Hem 2

It is knitted in Cascade Yarns Heritage 4-ply which is one of my go-to fine sweater yarns and the pattern can be found in The Knitter issue 167 out now. The sample is in a very on trend Coral shade but the yarn comes in a wide range of colours so I am looking forward to seeing what people choose.

Hemingford

Purple party time - a five year design anniversary

Wow what an exciting five years.

Purple rain 2 K159 aut2016

Purple Rain appeared in Knitting magazine five years ago this week.

It was my first every paid pattern for a magazine. Who knew what was going to happen next? I certainly didn't expect it to change my life but it has to some extent.

Now my tally is round about 100 patterns for magazines and growing every month. Plus other collaborations and patterns – and now I am in the midst of a book plan!

I never expected this and, to be honest, I sometimes have to be reminded I am a knitwear designer.

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To celebrate I’ve knitted myself a new version of Purple Rain is a gorgeous skein of Olann Sock Lite and republished the pattern - I tucked the original sample away so carefully I can't find it now!. It is a long crescent shawlette where the lace section, featuring nuup raindrops, is knitted straight and then simple short rows in the stocking stitch section creates a curve.

You can find the pattern for half price until 24 August 2021 on Ravelry and in my pattern store plus there is 5% off all my patterns available on Ravelry and Payhip using the code PURPLEPARTY5 during the same period.

 

 


Tip of the week

31 knit what you want

I am going to try very hard to share some knitting wisdom with you every week.
 
We're starting with the most important piece of knitting advice I can think of.
 
It isn't about what other people knit, or the latest yarn craze. It is about enjoying the making and the result, using a yarn and a colour that make YOU happy.
 
I may not be very Marie Kondo when it come to clutter, but I certainly subscribe to the "does it bring you joy" principle when it comes to yarn craft.
 
If you think you could benefit from some one-to-one advice about your knitting, check out my Knitting Therapy sessions 

Pattern sale - just because...

Just because square

Some times you need a little boost or a treat.

After a rough week, I got a lovely boost this morning so I thought I should do something to brighten other people’s days.

So if you have treated yourself of a lovely skein or two of stunning hand-dyed or have something crying to get out of your stash, why not treat yourself to turning it into a something you’d love and use.

That’s the great thing about knitting – there’s the pleasure from knitting and the pleasure from the wearing.

So just because… here’s 15% off all the patterns in my payhip store until 25 May. Use the code JUSTBECAUSE521

https://payhip.com/BronaghMiskellyLaPurplePenguin/collection/all

Check out a selection of shawls in 4-ply, Laceweight and DK plus fun socks, scarves and more. Enjoy

 

 


New pattern - the No Sew Bolero

 
It really is no sew apart from weaving in ends.
 
No sew
 
The body is knitted in one piece to the armholes and the shoulders are joined using a three needle cast off.
 
The sleeve stitches are picked up round the armhole and then shaped using short rows.
 
Finally, the lace edgings are added using a knit on technique.
 
The brief was for a garment with less common construction so I set out to create something without sewn seams but which wasn't a yoked sweater or a top down raglan.
 
It was a fun challenge and I think the result is rather pretty. But what's really important is that none of the techniques are really difficult, just take it step by step.
 
Bolereo style file
 
 
Find the pattern in Knitting Magazine issue 215 where you just might find another pattern and an article by me!
 
K215 cover
 
 

Blocking isn't all about stretching your knitting

25 blocking general

Be warned this is one of my hobby horses.

I often hear or read: “I have never blocked my knitting.”

Quite frankly I don’t believe this.

I don’t believe that there is anyone who has neither reshaped a damp piece of knitting nor ever washed a knitted item.

The problem is a common misconception that “blocking” always involves wires, pins and extreme stretching.

In fact, blocking is a general term for getting your knitted pieces wet – by soaking, steaming, spraying with water or covering with wet cloths – and then shaping it. The shaping could be a small adjustment to get straight edges or persuade you stocking stitch to unroll, or it could be a more aggressive process to open up a lace pattern.

There are lots of good reasons to block and they are all about getting a great finish to your project:

  • Making your pieces the right shape

  • Opening up or evening out your stitches – for example gentle blocking can really improve the look of colourwork
 

The crown of the hat has been steamed to even out  the
stitches and dried over a curved surface
  • Letting your cables bloom.

  • Opening up lace to create the final fine fabric


Blocking changed the Firebird shawl from the top pic to the bottom


There are several ways to block:

  • Wash your knitting (following ball band instructions) and lay it out flat, gently adjusting it for size.
  • Pin your pieces to shape on a foam board or a folded towel and stray with water or steam (I recommend a travel steamer). Then leave to dry.
  • Pin out and cover with damp cloths, letting the moisture soak into to the knitting and then leaving to dry
  • Using a steam iron to steam your pieces through a damp cloth. Note, always make sure the knitting is covered by the cloth and never touch your steam iron to the cloth, let alone the knitting.
  • Wet blocking by soaking your pieces and pinning out – more on this tomorrow.

Personally, I tend towards steam or wet blocking because of the fibres and projects I choose.


How you block will depend on various factors:

  • Fibres – wool has lots of spring so can take some aggressive stretching and wet blocking but this would distort cotton or bamboo yarns. Acrylic yarns don’t like too much heat – so steam from a greater distance.
  • Stitches – take care not to over stretch of flatten cables. On the other hand, lace stitches need opening up so take more blocking and pinning out.
  • The project – how much reshaping does your project need? A lace panel in a sweater will need to be opened out but you may not need/want to stretch you piece as much as a lace shawl where you will want a very light fabric.

But, and this is important, blocking will even out stitches, it will NOT make your item fit if you’ve knitted the wrong size (well not without causing other problems).

If you are not sure what the best way to block your piece is, test various approaches on tension squares or extra swatches - may be that will convert some tension square refuseniks!


New pattern: Pitter Patter Pinkies

It's definitely woolly sock weather and the good news is that the Pitter Patter Pinkies sock pattern is now available for download.
 
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These socks feature a raindrop lace pattern and a short row rib heel. The stitch pattern uses rib, decreases and yarn overs in a simple four stitch, eight row repeat.
 
As you can see, it works with a striped yarn - West Yorkshire Spinners
Signature 4-ply in the Pink Flamingo colourway - but would work for a solid or semisolid yarn too.
 
The pattern is written for three adult foot sizes:
  • Leg circumference 18 20:22cm (7 7¾:8½in)
  • Leg length: 1616:18cm (6¼ 6¼:7in
  • Foot length is fully adjustable
You can find this on:
Note: This pattern is also available as a printed leaflet for wholesale only.

Introducing the Beautifully Blocked collection

Beautifully blocked grid

I have recently republished a number of shawls originally designed for magazines in my first Beautifully Blocked collection.

I used to work in theatre production and in theatre “blocking” refers to working out the movement of a performance. These days, for me, my designs are my performance so we had a theatrical photoshoot to put these eight designs in the spotlight.

The patterns are available individually on Ravelry and Lovecrafts plus on Ravelry you can buy any three for the price of two or select all eight patterns for the special price of £30 (add all of them to your basket and use code BB30).

The eight shawls (clockwise from top left) are:

Facet

Redshawl (7 of 59) CROP

Inspired by semi-precious gemstones and designed to show off a luxurious laceweight yarn, the Facet shawl is made up of three triangular panels featuring a small and then large diamond pattern.

The shawl is worked from the centre top, increasing outwards thanks to yarnover increases and the edge of each panel.

Don’t be alarmed by the lace in this shawl - it is all created using simple decreases and yarn overs. Just take it one stitch at a time and you will have a beautiful wrap.

100g laceweight

Electric Storm

Blueshawl (12 of 24)

Inspired by hand dyed yarns, this shawl is shaped using wedges of stocking stitch and lace created with short row shaping. This is actually quite simple and fully explained in the pattern. It is designed to show off a yarn with strong flashes of contrast colour in a yarn that is at least 50% a solid main colour.

Colourway used for the sample is Cosmic Girl on BFL Bamboo 4ply Fingering by The Wool Kitchen

200g 4ply

Leaning Diamonds

Tealshawl CROP (11 of 56)
Who says a rectangular stole has to be knitted from end to end? This wrap is worked from corner to corner, using increases and decreases to create the wrap shape. This creates a bias fabric with lovely drape with the lace running in diagonal stripes. This is fun and adaptable way of making wraps and makes for an interesting knit.

100g laceweight

Hardy’s Heroine

Russedredshawl (29 of 30)

This is the shawl that I imagine Bathsheba Everdene, Grace Melbury or Tess Durbeyfield

wrapping themselves in. Made with soft but robust West Country wool and richly coloured, it

features a Victorian stitch pattern for the knit on edge.

The half hexagon shawl has three triangular panels and is worked out from a garter stitch tab

and provisional cast on. It is worked in rows on a circular needle.

200g 4-ply

Seascape Shawlette

Seascape Collage

Graduated mini skeins and garter stitch stripes create the gentle colour change in this asymmetric shawlette which ends in a ripple pattern.

It is inspired by the Donegal sea views of my childhood where the shades of the water would subtly change as the waves came into the beach.

175g 4-ply in total

Seasilk Shawl Stole

Longblue (44 of 80)

The combination of silk and seacell (seaweed sourced fibre) creates a lovely light, draping fabric that is perfect for a glamorous wrap. The stole is begun with a provisional cast-on and knit in two directions outwards. The lace pattern is presented both in charts and in written form.

200g 4-ply

 

Shetland Summer wrap

Brownshawl (64 of 87)

This long draping stole is made is fine Shetland wool in a natural shade that will work with any colour.

The stitch patterns are adapted from traditional Shetland lace patterns. Drape it over your shoulders to combat a breeze on a summer evening or wrap it round your neck as we move into autumn.

The stole is made in two parts and grafted at the centre for symmetry.

125g laceweight

Isblomma

Aquashawl (3 of 104)

As light as a snowflake, this shawl features wide band of zigzag lace pattern. The shawl is worked in segments, using short-row shaping with wraps and turns to show the gradient of the yarn to best effect. Each wrong side row of the segment is shorter than the previous one, to create the wedge shapes.

100g laceweight

 


More woodland (and architectural) inspirations

Some goodies came in the post and my brain is full of new shawl ideas - just need to finish 4 or 5 other things.
 
P6190762
 
I bought these two skeins via the Virtual Wool Monty last weekend - despite not having a show to teach at I couldn't help some shopping.
 
I've been playing with some ideas about mixing more solid and variegated yarns together and these two skeins from RiverKnits really hit the spot.
 
When I went for my walk in the woods I started thinking about the red tile roofs and brick chimneys of various buildings that peep through the trees, so another woodland inspired shawl may be on the way.
 
P6190748
P6190748
P6190748
P6190748
P6190748
If you fancy knitting a shawl today, check out my Ravelry shop - there is 10% off all shawl pattern until 25 June 2020 with code GOWIB.
 
 
Footnote: Chatting to Becci from River Knits online I have learned that the red brick along the canals was the inspiration for one of these colourways. Great minds and all that....

Adapting the Off Kilter shawl

Off Kilter is a free shawlette pattern that I recently added to Ravelry.

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It is written for 100g/400m of striping 4ply - the sort of thing many people will have picked up at a yarn show and have to hand in their stash during lockdown. Although I don't have picture - the shawl is on lockdown with someone else - it is a great option if you have some Zauberball Crazy.

After I put the pattern up, I was sorting my stash and noticed that I had a cake of Stylecraft Batik Swirl DK in the Coral Reef colourway and decided on an experiment - doing a version of Off Kilter in DK.

P4100639

The Batik Swirl cake is 200g/550m and I used a 4mm needle. Otherwise I did the pattern as written using most of the cake. 

The shawl ended up with a wingspan of 164cm and is 60cm deep at the widest point compared with 140cm and 50cm for the 4-ply version.

P4100640

But if you have something in your stash that you'd like to try this pattern in that doesn't fit these quantities, don't worry, this is a very easy pattern to adapt.

  • If you have at least 100g of 4ply or 150g of DK you will come up with a wearable shawl - maybe try 200g of aran or experiment with chunky.
  • If you are using a thicker yarn, choose a needle size that will give your stocking stitch a little drape.
  • Work the pattern repeat until you have around enough yarn for one more repeat - you may need to weigh your remain yarn at the beginning and end of a repeat near the end to estimate this. Finish the body of the shawl after row 10 of the repeat.
  • The edging will work for any size as long as you have finished the body with a complete repeat.

The only other instruction is to enjoy going Off Kilter and to post pictures of your finished object by creating a project on the pattern's Ravelry page or if you are on Instagram tag me in your post @bromiskelly_lapurplepenguin